Devotion Page 4

  “A girlhood spent with swans, then.”

  “Don’t worry, I had human playmates too. I’m not—feral.”

  “That’s disappointing.”

  “When I was nine,” Maggie said, “I snuck around to the far side of the pond and skinny-dipped in and swam out there with a whole group of swans. That was absolutely forbidden me. Because they can get very very nasty, very aggressive. Guess I don’t have to tell you that, huh? But I did it anyway.”

  “Ever tell your father?”

  “I told my mother. She told my father.”

  “No family secrets, I guess.”

  “That time I went into the pond, I muttered and clicked and whistled at the swans like my dad does. But they kept to the opposite side, far away as possible. A few reared back, flared out their wings, and that was a little frightening, even at a distance. I remember that clearly.”

  “Probably your dad swam with them himself, a hot summer’s day.”

  “Not that I knew about. Nope, I never saw him in the pond. My mother liked to swim there. Swans or no swans. When I was a kid my dad took me to the beach. The ocean was close by. This one beach near Parrsboro had shallows quite a ways out. He’d buoy me up, swirl me around, let me splash him, things like that, when I was little. What’s strange is, I don’t recall him actually swimming—you know, sidestroke, or backstroke, or just freely swimming along. And as for the pond, hmmm, I always wondered about whether he swam with swans out there. Now that you mention it, I bet he did.”

  Things Said in Sleep

  MAGGIE HAD INSTALLED her father in the main house in late September 1985. He had slept through the entire flight from London to New York, slept the flight from New York to Halifax. Slept in the car to the estate. Since then, Maggie had made eighteen visits and telephoned at least once a day, even from Europe or the United States. David circled the date of each of her visits on a wall calendar in his kitchen. On all but a few of those, Maggie stayed the night in the upstairs bedroom of the main house.

  Ground rules were set right away. William wrote them out:

  Under no circumstances—none—does my daughter want to see you. If possible I’ll give you 24 hours advance warning of her visits. When Margaret is here, you need to be a ghost. You eat breakfast, lunch and supper at the Glooskap restaurant or the bakery or wherever. There’s an all-night diner in Truro. P.S.: To my mind you’re a goddamn fortunate man that Margaret’s allowing you to remain her husband, on paper. For norm at least.

  The night of July 27, 1986, there was a cricket somewhere in David’s kitchen. He thought it might be behind the toaster, or in the toaster. Or possibly in the bread box. A small embroidered Home Sweet Home pillow at his lower back, he was on page 88 of The Crime of Sylvestre Bonnard. It was 3:15 A.M. David dozed off, head down on the table, but almost immediately was startled awake by a sound that was at once vaguely familiar and joltingly strange. The guesthouse and pond a hundred feet away were surrounded by woods. What David heard might have been a porcupine or bobcat; they sometimes produced such eerie calls. Possibly a screech owl. He took a flashlight from a drawer, stepped out to the porch. Wild white moonlight. He hardly needed the flashlight, but he aimed it at the pen, located halfway to the pond. The swans were huddled in three groups. He recalled that Maggie once showed him an entry in the diary of an eighteenth-century naturalist named Mark Catesby: I’m told by natives that swans mate for life. I have observed that swans have other behaviors as well. However, none of the Tecoskys’ swans were paired up. They’d arrived at the estate individually wounded.

  David stepped barefoot off the porch; the cold grass felt oddly soothing. Crickets. Then David heard a rasping shriek, then an asthmatic reedy bray, and recognized the source. It was the clarinet Maggie had provided her father, on advice from Dr. Epson, to help strengthen his diaphragm, but which William also used, obnoxiously, as a kind of woodwind alarm system. David mentioned this to Naomi, who said, “Turn that clarinet into kindling. Why can’t he just ring you up?”

  But David was obligated here. It could be a real crisis. He was the male nurse, after all. He was the caretaker of the estate, for now. He heard the swans’ wings fluttering, their jostling about the pen. William’s clarinet had this effect on them. On the porch of the main house, he took the key from under the dirt-filled, flowerless terracotta vase, but remembered that William locked the place only when he was away. He opened the door and called out, “William, it’s me, David!” Entering the guest room, David turned on the small table lamp near the door. He saw that the clarinet lay crosswise on the wheeled cart next to the bed. Vials of pills were lined up neatly on the cart, along with a pitcher of water and a glass. William sat upright against the headboard, watching the TV at the foot of the bed. He was dressed in long-sleeved gray pajamas.

  “Looks like there’s no emergency,” David said.

  William wrote something on a three-by-five card and handed it to David. David stepped back toward the lamp and read: I’ve been thinking. I appreciate your nursemaiding me these months. But it doesn’t change things. I have bad dreams about that taxi. When the right time comes, I’ll knock your lights out.

  “Status quo,” David said. “Well, your attitude toward me hasn’t got worse. That’s something.”

  William wrote another note. David read it: Why not watch this movie with me. It’s called Background to Danger. It started only ten minutes ago.

  David turned off the light, sat in the wicker rocking chair next to the bed. He had not heard of Background to Danger. Right away he saw that Peter Lorre was in it. Lorre was standing in an alley (“That guy’s a weasel,” William muttered) and slipping his hand into his trenchcoat pocket. He was talking to a man standing close by, whose shadow against the wall did not intervene. Close by because otherwise the knife Lorre now revealed would be of little threat. Lorre’s mouth twitched a smile, then suddenly fell into a severe frown—no middle ground with this fellow. He spoke with his famous petulant, whining accent, something of a malignant Esperanto; after all, in his movies you never really knew which country Peter Lorre was from, a creepy soul without portfolio. His voice had a fingernails-on-blackboard effect. “A man betrays, he pays for it,” Lorre said. “But sometimes he gets assistance paying for it, you see. That’s why I’m here. To help you pay for it.” The knife flicked forward and back, and the shadow crumpled down the side of a brick building.

  William had fallen asleep and was lightly snoring. David watched the movie until its closing credits and then turned off the television. He had enjoyed Background to Danger very much. Yet with the onset of a headache and newly jangled nerves—David suspected the cause may have been seeing Peter Lorre and recalling the surgeon’s analogy in the London hospital—he realized that in all likelihood it was to be a night of wretched insomnia. While his inclination was not to try figuring out all the whys and wherefores of his frequent sleepless nights, he long ago learned to recognize their advance notices. The subtle pressure behind the eyes, the prescient slight nausea, his plummeting spirits. With Maggie on their honeymoon, he’d had three sleepless nights at intervals; Maggie had slept soundly. He told her about the problem. On a walk along the cliffs near their hotel, she said, “You also talk in your sleep, darling.” When he asked what he’d said, Maggie was circumspect, mentioned just a few names. “It varies, but three or four nights, it’s as if you’re speaking with a Dr. Steenhagen. Does that name ring a bell?”

  “Jesus, that’s my pediatrician. From Vancouver.”

  “And what about—Dynaflow?”

  David started to laugh with incredulousness. “That was my dad’s car. An American car, a Buick, Dynaflow transmission. I was always begging my mom to let me sleep in the Buick on summer nights.”

  “Did she let you?”

  “Once or twice.”

  “Well, you must be dreaming of this Dr. Steenhagen and that car, David. That’s all I know.”

  “Do I keep you awake?”

  “I eavesdrop a few minutes, the
n nod right off. Maybe that’s selfish, huh? Should I wake you?”

  “Why both not sleep?”

  “They say if you talk talk talk a troubling thing out, you might make all sorts of connections. I suppose that’s Freud in a nutshell. But you know what I mean.”

  David knew the connection between Dr. Steenhagen and the Buick. He regretted not informing Maggie about it then and there. (He thought: What kind of choice was that, either not sleep or talk in your sleep, on one’s honeymoon? Did Maggie now think she was in for a lifetime of this?) After his parents’ divorce, he started having what Dr. Steenhagen called “nervous stomach.” It kept him awake at night. His mother made an appointment. When asked what she thought might be the source of the problem, she said, “Well, I think one culprit’s David’s cursive example.”

  Students worked on their “cursive example” every Thursday morning. Blue, wide-lined notebooks were handed front to back down the aisles of standard Canadian school desks, pencils were distributed, and then David’s fifth-form teacher, Mrs. Dhomhnaill, would say, “Here is today’s paragraph. It’s from The Pickwick Papers by Charles Dickens,” or some other famous book. She’d read the paragraph with glacial deliberation, allowing the students to take dictation, the entire class transformed into stenographers. “You have two minutes by the clock to hand in your examples.”

  In Mrs. Dhomhnaill’s view—she sent home weekly reports—David’s l’s looped too widely, his b’s were erratic, his z’s shopworn. David admitted that she had an inventive vocabulary when describing flaws in a student’s handwriting. She didn’t regularly single David out in her critiques, though once she flapped his open notebook in midair, saying, “Now this is a cursed example!”

  “What are the symptoms again?” Dr. Steenhagen said.

  “Stomach clenches up. Headaches, sometimes. Can’t sleep the night before, like I said.”

  “Have you discussed this with his teacher?”

  “I don’t wish to embarrass my son.”

  Dr. Steenhagen turned to David in the examination room. “Son,” he said, “there’s nothing to be embarrassed about. You can’t be good at everything. You’re very good with a camera, your mother tells me. Look at my handwriting.” He showed David a scribbled notation on a prescription pad. “See, I’ve done all right in life, and my handwriting’s like barbed wire.”

  Humiliated as he was, this made David laugh. He looked out the window at the family car in the parking lot. He wanted to take a nap in it. Dr. Steenhagen followed David’s gaze. “Isn’t that your Buick, Mrs. Kozol?” he said.

  “Yes, it is.”

  “Beautiful automobile. Smooth ride, I bet. It’s what, about ten years old? Let’s go out and have a look, shall we?”

  Puzzled, they followed him through the waiting room and out to the lot. He had his stethoscope around his neck. When they got to the car, he opened the passenger-side door and leaned in. He whistled appreciatively at the plush interior, then took note of the word “Dynaflow,” which moved in elegant silver-metal cursive across the dashboard. “Just as I thought,” he said, as if making a diagnosis. “David, do me a favor. Sit in the front seat here.” David looked to his mother for permission; Ardith smiled and nodded yes. David slid into the front seat. “Now, David, close your eyes,” Dr. Steenhagen said. “That’s good. Now, I’m going to lift your hand to the dashboard. Okay, feel the metal writing? That’s Dynaflow”—he elongated the word like a TV sales pitch. “You must’ve read it a million times, right?” He let go of David’s hand. “You run your pointer-finger over it a few more times. Then open your eyes.”

  When David opened his eyes, he stared at the word, really seeing it for the first time. “Since your son’s nemesis seems to be his cursive example,” Dr. Steenhagen said, “well, practice makes perfect.” David got out of the car. Dr. Steenhagen put his hands on David’s shoulders, looked him straight in the eye. “Here’s some advice from your family doctor, young man. When you get home, sit in the front seat of this car and take out a pencil and paper and copy out the word ‘Dynaflow,’ oh, let’s say one hundred times. You saw how perfectly it’s written on the dashboard. I guarantee, if you do this every day for a week, you’ll get a tenfold improvement in your cursive example, maybe twentyfold.”

  It did not strike Ardith as plausible advice, but it was doctor’s advice, and David took it to heart. This appointment was on a Friday. As it happened, between Friday evening and the following Wednesday evening David wrote “Dynaflow,” by his own count (using //// to represent 5), 1,015 times. The middle finger of his right hand formed a callus, actually bruised up a little. He experienced only the mildest hint of nervous stomach Wednesday night, took some Pepto Bismol and slept for six hours, until Ardith woke him for breakfast.

  The problem was, “Dynaflow” was rooted so deeply in his mind that when that week’s cursive example took place, David unconsciously inserted it midsentence in a dictated paragraph from the Book of Genesis. Reviewing the collective examples while the students did arithmetic problems, Mrs. Dhomhnaill was duly impressed to see how much David’s handwriting had improved. On the other hand, she was perplexed by his inclusion of “Dynaflow” (whose common usage was unknown to her). She decided not to address it with David but to subtract half a grade. He received an A-minus.

  The swans had settled down. Back in the guesthouse, David percolated coffee. He wrote in his notebook, If I’d been devoted to my marriage, I would not have—, stared at the page until the coffee was ready. He sat on the porch sipping coffee. He went back to the kitchen, closed the notebook, took up The Crime of Sylvestre Bonnard. His headache spiked in intensity two or three times but otherwise was manageable, and it disappeared by 5:15 in the morning, just as he finished the novel.

  He then stood at the open screen door and stared out at the darkness, now filtering a little dawn light through the mist. He reached into the back pocket of his khaki shorts, removing the photograph the doorman had taken of him and Maggie together in front of Durrants Hotel the first morning they spent together, more than a year ago. In the photograph, David looked disheveled, harried; he was touching Maggie’s hand, not holding it; Maggie’s eyes were somewhat squinted up; she looked breezy, alert and pleased. They were more huddled together than embracing, but definitely out in public together, in the sunlight after a night of rain.

  David slid the photograph back inside the transparent plastic pocket, set the wallet on top of the peaches, pears and apples in a bright yellow bowl on the kitchen table. This was where he always put his wallet, in that bowl. It had become habit. Now, which one next? he thought, approaching the stack of novels on the counter. He ran his finger along the spines, then pulled Manuscript of a Country Doctor out, immediately balancing the others in their column. Maggie told me this was one of her favorites.

  Room 334

  THE DOORMAN WHO had taken their photograph was named John Franco. That morning, Maggie handed him her pocket-size tourist camera. John Franco snapped a picture, then opened his palm for a tip. “Joking,” he said when Maggie narrowed her eyes and took back the camera. Ever alert, he turned to another couple getting out of a taxi; the trunk popped open and John Franco lifted out two suitcases. Maggie put her camera in her Dutch schoolbag. She and David went back inside the hotel to have breakfast.

  It was 9:30 A.M. They had slept later than either had done in years, though they’d been awake, except for brief naps, until dawn. In the dining room an Indian woman sat alone reading the Guardian, a stack of Penguin paperbacks secured by twine on her table. Across the room a family—mother, father, lanky teenage daughter—spoke in German. David and Maggie chose a table at the street-side window. The waitress arrived. Maggie ordered orange juice, coffee, a cranberry muffin, a slice of melon. David ordered coffee and oatmeal—“hot cereal” on the menu. When the waitress left to put in the order, David suggested they cancel breakfast and go back to Maggie’s room. “I wouldn’t hesitate a moment,” she said, “except there’s a London Times cultural re
porter coming to rehearsal this morning who I’ve got to talk with.” She looked at her wrist, raising her eyebrows at having forgotten to wear her watch. “I’ve got to be at the hall by eleven. And where do you have to be, David?”

  The waitress set down their breakfasts. She poured coffee for them both. “I have to go to my flat and work on a book proposal,” he said.

  “Book proposal. For what book?”

  David told her about Josef Sudek. His dates: 1896–1976. How he had lost an arm in World War I. How he was closely associated with Prague. How he’d attained fame mainly toward the end of his life. David condensed his knowledge of Sudek in as resonant a summary as possible, wanting Maggie to feel he was capable of wholehearted devotion to an intellectual endeavor. It felt urgently necessary. He didn’t know all the reasons why. “I’m really thinking of this project night and day,” he said. An exaggeration he desired to be plain fact. “Can I show you some of Sudek’s photographs later on? In a book, I mean.”

  “You know what? I think I’ve seen a few. In a museum. It may have been here in London. He likes to photograph eggs. Eggs and glasses of water, is that him?”

  “That’s Sudek.”

  “I remember an egg with a crust of bread. He might’ve gone without food some days. In childhood. During the war. Did he?”

  “I don’t know.”

  “I guess you haven’t researched that part yet.”

  “I’ll definitely look into it.”

  “Do you take a lot of photographs yourself?”

  “Since I was in grade school.”

  “Are you a professional, though? Along with the teaching you told me about? Not that teaching isn’t enough. Just naturally curious.”

  “I’ve sold a few photographs. Not often. I consider myself a serious photographer. I have two Nikons. But my favorite is a Rollei—a Rolleiflex with an f/28 lens. It’s the kind with the viewer on top, you look down into it, like this.” He demonstrated by pretending to snap a picture of her. “All three cameras paid for in full at time of purchase.”